From M Made in Italy, this dress features:cotton eyelet fabricationFloral printSurplice v-necklineFlutter short sleevesRuffle high low hemApprox. 43#double; front and 54#double; backViscose/ linen liningcottonHand wash/line dry or dry cleanImported.

Courrèges Fall 2025: That’s a Wrap

Polo Ralph Lauren Juliana cable-knit Jumper Neutrals

SANDRO crystal-embellished striped shirt Highlights chestnut brown cotton glass crystal embellishment vertical stripe pattern classic collar front button fastening drop shoulder long sleeves buttoned cuffs curved hem Composition glass, Cotton The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Wearing The model is 1.79 m wearing size 1 Product IDs FARFETCH ID: 23824064 Brand style ID: SFPCM01273

VersaceMedusa-embroidered sweaterMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightssky bluevirgin woolknitted constructioncrew neckMedusa Head embroidered motiflong sleevesribbed cuffs and hemunlinedCompositionVirgin Wool, Polyester, Cotton 50%, Acrylic 50%The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsDry Clean OnlyThe washing method is subject to the commercial washing standardWearingThe model is 1.88 m wearing size 50The model is also styled with: Balmain mid-rise straight jeansProduct IDsFARFETCH ID: 24013000Brand style ID: 10160561A11251

Since taking over as artistic director of Courrèges, Nicolas Di Felice has made togetherness a central tenet of his revival of the Space Age brand. Before showing his first collection, he released a film of people making out, and he has since staged a series of club nights. The blinding white set for his fall runway show featured a central square covered in confetti that glistened in the sunlight streaming through the glass-and-steel roof of the Carreau du Temple venue. Di Felice said the idea came from a book of Dan Colen’s confetti paintings, and it reminded him of the optimism of founder André Courrèges. “It’s this idea of bringing in color when everything is gray,” he explained backstage. “It gave me joy and reassurance. It also reminded me that celebration is important, now more than ever. We know that in times of great societal change, parties bring people together.” You May Also Like He wasn’t talking about fiddling while Rome burns, but rather the way nightclubs and raves have traditionally provided freedom and safe spaces for the LGBTQIA+ community. As models emerged, a wind machine lifted the metallic confetti into suspended animation. The concept carried over into the clothes, with twisting constructions inspired by party streamers. The first look appeared as if a fringed shawl had been loosely draped and pinned on the model’s body, but Di Felice is an expert at making things look easier than they are. Still, this idea was one of the more challenging that the master pattern-cutter has brought to the table. Beauty Gallery 19 Photos View Gallery Miniskirts with dangling asymmetric trains may look cool as show pieces, but it’s hard to imagine how they will translate into real life. The funnel-like shawl collars on his parka jackets felt like a more organic extension of his wrapping instinct. The designer said the bulky leather and technical outerwear was inspired by survival gear. A stretch tulle turtleneck dress, meanwhile, was completely covered in silver snap fasteners, for a lightweight take on body armor. Throughout the lineup there was a push and pull between duck-and-cover protective gear, like military-inspired greatcoats or a blanket-like oversize sweater, and party clothes with a devil-may-care attitude. Filmy tops were yanked to one side, an armhole turning into a collar, while going-out tops consisted of a single feather. Di Felice’s finale look was a white off-the-shoulder satin dress, wrapped around the torso like a blanket, inspired by a 1964 style from the archives. It was, the designer said, a “white flag.”

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